Samaritan

A white TV writer returns to the "projects" to become a volunteer creative writing teacher. After an assailant nearly kills him, he refuses to identify his attacker. It's up to his black female schoolmate of yore, now a cop nearing retirement, to ferret out the truth. The author uses this schema to touch on issues of race, integrity, loyalty, and poverty. He has a playwright's ear for dialogue and has drawn some memorable characters, whom actor Richard Allen plays vividly. In a soft baritone and steady cadence, Allen tiptoes gingerly through the narrative. He clearly enjoys wrapping his tongue around the passages of street language. Y.R. (c) AudioFile 2003, Portland, Maine

December 2, 2002
Nobody does urban grit better than Price—or so it was said in the '90s upon the publication of Clockers
and Freedomland. Price's first novel in four years doesn't belie that claim, but it isn't his best, despite some wonderful writing. Most impressive are the characters—and not only the principals, Ray Mitchell, a white TV writer recently returned to his predominantly black home city of Dempsey, N.J., only to wind up in an ICU with a crushed skull, and Nerese Ammons, black, Ray's childhood friend, now a cop determined to find out who swung the vase that put Ray down. The supporting characters, too, are blazing with life, as is Price's rich evocation of Dempsey's blasted cityscape. It's the plotting that's relatively weak. The novel is woven of two chronological strands, one starting with Ray's time in the ICU and focusing on Nerese's investigation, the other beginning with Ray's arrival in Dempsey and emphasizing his troubled relationship with his alienated wife and daughter; with his new girlfriend from the projects, Danielle; and with himself—for Ray is a self-loathing former cokehead whose desperate need for approval clouds his judgment time and again. The binary plotting is interesting, but a bit gimmicky and doesn't help the book's pace, and a narrative turn near the end involving Ray and his daughter feels contrived. Since Ray's need for approval prevents him from telling Nerese who conked him, the book is basically a whodunit. Few readers will guess the real culprit: is it Danielle's jealous jailbird husband? The erratic street artist Ray is supporting? Danielle? The questions will hold readers' interest but not seize it, and while many will enjoy as well as admire the novel, most won't be blown away by it. 150,000 first printing; simultaneous Random House Audio.

Michael Boatman's smooth voice easily carries the suspense story of former teacher and TV writer Ray Mitchell as he returns to his urban New Jersey roots. When Mitchell is brutally beaten, a childhood playmate, now a police officer, tries to track down his assailant by piecing together a jumble of clues, ramblings, and conversations with the shifty, gritty characters surrounding Ray. Boatman easily manages every role in the novel, matching Price's character development and adding depth to a compelling story. The characters are completely believable as Boatman brings them to life. H.L.S. (c) AudioFile 2003, Portland, Maine