I'm Thinking of Ending Things

Starred review from April 11, 2016
Nonfiction author Reid (The Truth About Luck) fuses suspense with philosophy, psychology, and horror in his unsettling first novel set in an unspecified locale. When Jake takes his unnamed new girlfriend to meet his parents, he doesn’t realize she’s thinking of “ending things” (just what she might end is at first unclear). Dinner at the family farm proves awkward, reinforcing her doubts about their relationship. On their way home, the weather turns nasty and Jake pulls off the road at a darkened high school. He takes the keys and exits the car, but never returns, leaving his girlfriend little choice but to strike out after him. While the events preceding the couple’s separation have the air of a disquieting dream, those that follow are the stuff of nightmares. Stream-of-consciousness narration by Jake’s girlfriend adds to the story’s surreal quality, and occasional blocks of unattributed dialogue about an unspecified tragedy impart dread. Capped with an ending that will shock and chill, this twisty tale invites multiple readings. Agent: Samantha Haywood, Transatlantic.

April 1, 2016
A road trip in a snowstorm takes a sinister turn for a man and his girlfriend, the novel's unnamed narrator. Reid's preternaturally creepy debut unfolds like a bad dream, the kind from which you desperately want to wake up yet also want to keep dreaming so you can see how everything fits together--or, rather, falls apart. The narrator, known only as the girlfriend, is driving with her beau, Jake, a scientist, to meet his parents at the family farm. The relationship is new, but, as the title implies, she's already thinking of calling it quits. Jake is somewhat strange and fond of philosophizing, though the tendency to speak in the abstract is something that unites the pair. The weather outside turns nastier, and Reid intercuts the couple's increasingly tense journey with short interstitial chapters that imply a crime has been committed, though the details are vague. Matters don't improve when Jake and the narrator arrive at the farm, a hulking collection of buildings in the middle of nowhere. The meeting with her potential in-laws is as awkward as it is frightening, with Reid expertly needling the reader--and the narrator--into a state of near-blind panic with every footfall on a basement step. On the drive back, Jake makes a detour to an empty high school, which will take the couple to new heights of the terrifying and the bizarre. Reid's tightly crafted tale toys with the nature of identity and comes by its terror honestly, building a wall of intricately layered psychological torment so impenetrable it's impossible to escape.

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January 1, 2016
Reid, whose nonfiction includes "The Truth About Luck" (a "Globe and Mail" best book in 2013), tries out fiction. Jake is driving "The Girlfriend" (as she's called) to meet his parents at their isolated farm when he inexplicably takes a detour and abandons her. From daring upstart imprint Scout Press.

Copyright 2016 Library Journal, LLC Used with permission.

Starred review from May 1, 2016
The narrator of the story is a nameless young woman who is in a newish relationship with Jake, but she has some doubts about where it's going and is thinking about ending things. Their relationship is based on a shared communication style, which moves to the physical, but it is their philosophical conversations that truly move the relationship along. Jake invites the narrator to go home to meet his parents and see the farm where he grew up in a remote village. The family dinner is odd, but the ride back home even more so, with detours to a Dairy Queen staffed by giggling girls and to a dark, deserted high school. This is a powerfully atmospheric book, and the cold, snowy night really ups the creepy factor, as the story grows more diabolical and dangerous with each turn of the page. The narrative is written in the first person, though it's interspersed with an occasional page from a parallel story from a different point of view, and eventually it appears that the two stories will converge. These characters are carefully developed and the plot takes some frightening turns, leading to a shocking ending. The construct of this book is brilliant and unusual and should appeal to fans of psychological thrillers, as well as to some horror fans. A dark and compelling debut novel, it is a most uncomfortable read but utterly unputdownable.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)