Clown Girl

December 18, 2006
As Drake's debut opens, Nita, otherwise known as Sniffles the Clown, is tying balloon animals for a horde of greedy, sticky children at a fair. Suffering what may be a cardiac event, she's rushed to the hospital—after trying to get help from a clown fetishist, who simply drops his phone number on top of her prone form. Welcome to wacky, stressful Baloneytown, where clown prostitution, stoned dogs and fire juggling–cum–arson are the norm. Nita struggles to make enough money clowning to keep herself in oversized shoes and squirting daisies, while also saving for Clown College tuition for her boyfriend, handsome clown Rex Galore. But Rex is mostly MIA, and Nita's longing for him settles on local cop Jerrod. While not much happens, the pace of the narrative is methamphetamine-frantic, as Drake drills down past the face paint and into Nita's core, often using Nita's relations with men as the bit. Nita emerges as a fully-realized character, bearing witness to a lot of the emotionally ridiculous and just a hint of the sublime. Some plot threads never quite come together, and a few characters are underdeveloped, but there is a lot more going on here than just clowning around.

February 1, 2007
An introduction by novelist Chuck Palahniuk and a rubber chicken on the cover promise lots of nervous laughs for Drake's dark debut. The tale revolves around Nita (aka Sniffles the Clown), who inhabits Baloneytown, a depressed, crime-infested metropolis where residents peer warily out their windows when a cop car drives by. Nita aspires to high art but finds herself caught in a vicious cycle of corporate clown gigs that creep ever closer to prostitution. She misses her boyfriend (and fellow clown) Rex Galore, who has gone off to interview at Clown College. And now her dog has gone missing, her relationship with her housemates is on the skids, and the only friend she has left is a golden-haired policeman who is surprisingly concerned about her well-being. Drake, who teaches at Pacific Northwest College of Art, renders rich, sinewy prose (with heady references to Chaplin, Kafka, da Vinci, and the like), but her offbeat subject matter and plot would play better as a short story.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)