被遗弃的小鱼(The Deserted Fish)

逃离平庸的生活和平庸的艺术，这样的夫子自道不免给人一种高蹈严苛的印象。但逃离平庸的生活并不意味要凌驾于生活之上，强做或睿智或痛苦的哲人，逃离平庸的艺术也不意味着要给小说的体式、结构和语言披上多前卫华丽的斗篷。此中的关键在于，如何通过机巧的观察和高妙的提炼，在凡庸琐屑的生活里发现人性的隐疾，以痛痒相关的体恤之心去揭示它们、照亮它们，用平实但内蕴力道的文字去叙述它们、呈现它们。所以，所谓的“逃亡”其实亦可以理解成融人，或用他自己的话说，在与生活和文字“打成一片的境界”里完成化平庸为神奇的升华。而熟悉他的读者自应知道，他的小说一直就是饱含人间情味的。这本被遗弃的小鱼即是明证。. （ Escaping from the mediocre life and art, such speak of oneself is unavoidable to give a severe impression. However, escaping from the mediocre life does not mean to outmatch over the life and force to be the sagacious or painful philosophers, while escaping from the mediocre art also does not mean to cover what a advanced and magnificent cloak for the form, structure and language of the novel. The key to it is how to use the intellectual observation and ingenious extraction, find the unmentionable diseases of human nature in the ordinary and trivial life, reveal and light them with understanding and sympathy heart with sharing a common lot, narrate and present them with plain characters with power inside. Therefore, the so-called “escaping” actually can be understood as the blending of others, or saying by using others’ words, which complete the sublimation with transforming the mediocrity to be the miracle in the “realm with integration” of life and characters. However, the readers who are familiar to him shall know that, his novels are always full of the human feelings. The book ‐ The Deserted Fish is the evidence is the evidence. )