Good Harbor

Diamant's second novel focuses on Kathleen, a near-60-year-old librarian living in a small town in Massachusetts. After she's diagnosed with breast cancer, the treatments and stress begin to cloud her thinking, values, relationships, and her faith. Linda Emond depicts an intelligent woman on the verge of a major life change desperately attempting to keep it together. Her wandering thoughts on death, children, infidelity, and friendship emerge as real enough to touch anyone's compassion button. As Kathleen's relationship with a romance writer provides both strength and outlet for her, Emond explores their relationship with intelligence and humor. As the plot moves along, Kathleen is depicted as somewhat obsessive and even whiny, a condition probably very believable under the circumstances. This is a story about strength, friendship, and survival. B.J.P. (c) AudioFile 2002, Portland, Maine

September 24, 2001
There's less to chew on in Diamant's follow-up to her wildly successful first novel, The Red Tent, which offered a reinterpretation of the biblical world of women. She does make a smooth entry into the arena of contemporary women's fiction with this graceful story of a new friendship between Kathleen, a 59-year-old woman who has recently discovered that she has breast cancer, and 42-year-old Joyce, who is facing a midlife crisis with her work and family. Faith and religion are woven matter-of-factly into the narrative: Kathleen, born Catholic, converted to Judaism when she married her husband, and Joyce, a nonobservant Jew, finds that her new summer house comes complete with a shrine to the Virgin. The two women meet by chance at a temple service in their New England coastal town of Gloucester and begin meeting for walks and talks at picturesque Good Harbor beach. As Kathleen undergoes radiation treatment for her cancer, she is plagued by memories of her sister (who died from the disease) and the accident 25 years earlier that killed one of her three sons. Joyce spends her time remodeling and putting off writing—she has authored a romance novel under a pseudonym—while worrying about her increasingly distant husband and quarrelsome 12-year-old daughter. The male characters are disappointingly one-dimensional (Kathleen's husband and two adult sons are rather boringly devoted, and Joyce's husband gets trotted out for a few obligatory "busy-at-work" conversations), but the women reveal hidden depths as they grow closer. Despite a fairly ordinary plot line and too-convenient resolution, Diamant delivers a satisfying portrayal of a delicate and sustaining friendship formed later in life.