The Only Story

The Only Story
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 3 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
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فرمت کتاب

audiobook

تاریخ انتشار

2018

نویسنده

Guy Mott

شابک

9781501987281
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Publisher's Weekly

February 19, 2018
Barnes’s deeply touching novel is a study of heartbreak; like his Man Booker Prize–winning The Sense of an Ending, it includes fading reminiscences, emotional complications, and moments of immeasurable sadness as an aging Englishman remembers his first and only love. Bored 19-year-old Paul meets 48-year-old Susan at the tennis club when they pair up for mixed doubles. She has a husband and two daughters older than Paul, but it is the 1960s, Paul’s first summer home from university, and he is impervious to social correctness, parental disapproval, or long-term consequences. Paul and Susan share a satiric view of their suburban surroundings that turns into a secret romance, then a not-so-secret affair. Together they move to London, where, over the next decade, Paul studies law and becomes a law office manager while Susan deteriorates into alcoholism and depression. Fifty years later, Paul looks back on the relationship in an account strewn with unanswerable questions and observations about the nature of love. As painful memories mount, Paul’s narration switches first
to second person and then builds more distance by settling into third person. By revisiting the flow and ebb of one man’s passion, Barnes eloquently illuminates the connection between an old man and his younger self. 75,000-copy announced first printing.



AudioFile Magazine
Barnes's novel rests heavily on the voice of its narrator, and Guy Mott delivers a fine representation of that voice: steady, settled, British, urbane, ruminative. This is a story of reflection about an older man looking back on his youthful affair with an older woman. Often he speaks of himself as the generic "you" and for long stretches puts himself into the third person. The female member of this couple is a less active presence, an equal partner in the story but not an equal voice. Her dialogue is sparse and mannered, and Mott unwisely underscores this deficiency by delivering her lines in an arch falsetto. Even so, there is much to recommend here. The novel's premise is especially interesting, and Barnes is, as always, a master storyteller. D.A.W. � AudioFile 2018, Portland, Maine


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