Joe

Mississippi's London Hill is peopled by brutal characters, whose lives are impoverished by booze, tobacco, guns and violence. The story is loosely built upon an unlikely relationship between a 15-year-old vagrant, Gary Jones, and a middle-aged, divorced ex-convict, Joe Ransom. As much of this dark tale concerns encounters between characters--in scenes with truly great dialogue--distinguishing among them requires subtle inflections, which are missing from Tom Stechschulte's reading. Often it's difficult to figure out just who's speaking. Yet the novel should be heard, and Stechschulte does more justice to Brown's vivid depictions of this bleak backwater's inhabitants and surroundings. J.H.L. (c)AudioFile, Portland, Maine

September 30, 1991
With this powerful, immensely affecting novel Brown comes into his own as a writer of stature. As in his previous books ( Dirty Work ; Big Bad Love ), his subjects are poor Southern rednecks who exist from day to day, from hand to mouth, in tar-paper shacks and shabby mobile homes. Some are hard, mean and utterly lacking in moral fiber; others, such as the eponymous protagonist, try to live with integrity and dignity despite limited opportunities, despite the ingrained, ubiquitous habit of drinking prodigious amounts of beer and whiskey. Joe Ransom is almost 50, newly divorced, with bitter recollections of years spent in the pen for assaulting a police officer while drunk. A product of his time and place, Joe is reckless, self-destructive, hard-driving, hard-drinking, sometimes ruthless, but he is essentially kindhearted and decent. Joe manages a crew of black laborers who poison trees for a lumber company. When he gives a temporary job to teenage Gary Jones, part of a migratory family so destitute the boy has never seen a toothbrush or understood the significance of a traffic light, Joe is touched by the boy's dogged determination to work although Gary's alcoholic, vicious, amoral father takes the money as soon as Gary earns it. In his own laconic way Joe acts as mentor for Gary, until, in the novel's wrenching conclusion, fate and Joe's own stubborn morality wrench them apart. Seamlessly constructed, the novel hums with perfect pitch, with language as lean and unsparing as the poverty-mired Mississippi rural community Brown depicts. He has achieved mastery of descriptive detail, demonstrated in scenes that variously depict the contents of a country general store, a bloody dogfight, men butchering a deer, Joe cleaning out bullet wounds in his arm without an anesthetic, a punishing rainstorm. The dialogue is as natural as spring water. Brown never condescends to his uneducated, gambling-addicted, casually promiscuous characters; with compassion and eloquence, he illumines their painful lives and gives them worth.