Lie by Moonlight

May 2, 2005
Quick (aka Jayne Ann Krentz) gives her fans what they want in her latest historical romance, set in a movieland Victorian England. Concordia Glade, a teacher with past secrets and unconventional ideas about educating women, meets Ambrose Wells, a "private inquiry agent" with secrets of his own and an unusual tattoo, as she and her four orphaned pupils flee Aldwick Castle, which they have set on fire to hide their escape. Ambrose escorts the lovely fugitives to safety, protecting them from the criminal mastermind and his aristocratic partner who'd kept them as part of a dastardly plan to use them for profit and pleasure. Concordia returns the favor by helping Ambrose investigate the mysterious death of a London woman. Courteous, daring, resourceful, Concordia and Ambrose can't wait to ravish each other repeatedly. Who but Quick (The Paid Companion
, etc.) finds such joy in chestnuts such as the boy thief mentored by the rich man he tries to rob? Or the dilettante solving cases Scotland Yard can't? Quick plunges into every cliché ("Sensation after sensation coursed through her, leaving no room for uncertainty, let alone any sense of modesty"), but energizes her fluid narration with modern sensibilities, gutsy leads and romantic excesses. There's nothing new here, but that's part of Quick's great appeal. Agent, Steve Axelrod.

In nineteenth-century England, tutor Concordia Glade senses that her four young charges are in danger, and she leads them away from Aldwick Castle to London. During her journey she meets the mysterious Ambrose Wells, and he and Concordia fall in love as they begin investigating the mysterious benefactor who originally placed the orphaned girls. Anne Flosnik's lyrical British accent is polished and professional. She provides a distinctive voice for the various characters, establishing both their social class and gender. Her crisp diction enhances a superb listening experience. S.C.M. (c) AudioFile 2005, Portland, Maine