Prisoners of War

Pete Bradbury gives a powerful performance of Steve Yarbrough's account of a Southern town's relationship with a camp housing enemy prisoners of war during WWII. This unabridged recording sometimes feels like an abridgment because the focus given to individual characters keeps the listener guessing about the ultimate action of story. Yarbrough is a thoughtful writer who gently leads rather than directly informing his audience about the motivations of his characters. Bradbury does an outstanding job of providing appropriate accents to a wide range of characters. His Polish prisoner of war has an accent as believable as that of the Southern good old boys. This production brings together Yarbrough's complex story and Bradbury's thoughtful performance. R.F. (c) AudioFile 2005, Portland, Maine

November 24, 2003
Set in the same small Mississippi town as Yarbrough's critically acclaimed Visible Spirits
, this complex WWII-era novel explores questions of morality and social inequity in the rural South when a group of German POWs are quartered at a local camp and sent to work as day laborers on nearby farms. The novel opens with the uncomfortable friendship between young Dan Timms, who drives one of his enterprising Uncle Alvin's "rolling stores" (old school buses boasting all the necessities of country life: sodas, coal-oil lamps, radios), and L.C. Stevens, the black employee who drives the other. While L.C. vainly struggles to make his work partner see the "parallel universe" in which black Americans are trapped, Dan yearns to join the army and escape the fresh memory of his father's recent suicide and his suspicions about his mother's past. But Dan's friend Marty Stark shows him another side of war when he returns damaged and changed from the German theater and is reassigned to help guard the town's German POWs. The story shifts subtly when a Polish prisoner informs Dan of an escape planned by several other prisoners, setting in motion a chain of events that eventually brings Marty's troubled war memories to the surface. Meanwhile, L.C. suffers a beating by an older, powerful white man who, after losing his own son in the war, uses his influence to ensure that the young black man is drafted. The multiple subplots slow the novel's pace, but Yarbrough's warm, measured voice, clean prose and rich character studies make this an unusually tender and accomplished study of the reverberations of war on the home front. Agent, Sloan Harris.