Loving Donovan

Campbell and Donovan realize that their love may be the kind that comes once in a lifetime. But will the psychological scars from their parents' dysfunctional unions prove too difficult to overcome? Bernice L. McFadden has found an exceptional interpreter of her work in Robin Miles, who offers an impressive range of voices. Whether her character is a child or an adult, male or female, old or young, Miles gives each a distinct voice. Most interesting is the way she vocalizes the main characters from childhood through the stages of adulthood. P.R. (c) AudioFile 2004, Portland, Maine

January 6, 2003
This bittersweet fourth novel by McFadden (Sugar) traces the lives of two damaged but resolute people destined for an ill-fated love affair. The reader meets protagonist Campbell as a sensitive eight-year-old living in a Brooklyn housing project. As she watches her mother weep and rant at her feckless, philandering father, Campbell promises herself that "ain't no man ever going to break my heart." At age 15, however, that promise is broken when she gets pregnant by a high school boyfriend who skips town. Donovan, meanwhile, also grows up listening to his parents' violent quarrels. When he's nine years old, he is assaulted by a pedophile in his building, an experience that impairs his future relationships with women. As an adult, he takes a city transit job and becomes a workaholic. The two meet when Campbell is a single mother in her 30s and a talented fledgling artist. She bumps into Donovan at an art show and promptly falls in love. But Donovan is threatened by Campbell's money and success. He brutally rejects her, leaving her to play out the scenes of bitter anguish she observed so often while growing up. McFadden's latest is heartfelt and competently written, with her usual flair for dialogue and well-paced narrative. Yet Campbell and Donovan respond predictably to their traumas, and Campbell is not as vivid as some of McFadden's earlier heroines. In spite of her worldly success, Campbell is an archetypal female victim, too thinly drawn to carry the melodramatic scenes of despair that cap the book.