Funeral Diva

Funeral Diva
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 5 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

ebook

تاریخ انتشار

2020

نویسنده

Pamela Sneed

شابک

9780872868137
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Publisher's Weekly

October 19, 2020
The memoirlike latest from poet, performer, and visual artist Sneed (Kong and Other Works) evokes a queer and Black coming-of-age story and its wider cultural resonance. Vividly capturing an array of formative relationships with friends, lovers, and family from the late 1980s and early ’90s, Sneed’s recalled experiences take the reader from the Boston suburbs and AIDS pandemic-era New York to Cape Coast Castle in Ghana. Essays such as “History” and “Ila,” reminiscent of writing by Hilton Als and influenced by Audre Lorde, cross-pollinate with poetic considerations of the present. Frequently, Sneed’s tone is affectingly elegiac: “And all those gay boys I met and worked with at a restaurant in Boston,/ who disappeared like thousands of bits of paper,/ wind just simply took.” Yet just as often, this voice can be wry and lacerating: “This is some high-wire sawed-in-half lady shit/ This is like some Hannah Arendt the banality of evil and/ the bureaucratization of homicide shit.” Sneed’s speakers welcome complexity in poems like “Bey” (“I have to say I envy Beyoncé/ That she gets to show up after the fact in New Orleans”) and “Survivor,” which traces the speaker’s uneasy feelings about daredevil swimmer Diana Nyad. In this book, bracing honesty reveals both the necessity and the costs of resilience.



Booklist

October 15, 2020
The striking title of this hard-driving collection of poems and autobiographical essays by dynamic poet, writer, performer, artist, teacher, and LGBTQIA rights activist Sneed is also the title of the first poem, a tour de force about the collision between a coalescing 1980s Black lesbian and gay literary and poetic movement in New York and the onslaught of AIDS. Called upon to memorialize the dead, Sneed became a funeral diva, and now brings fresh, electrifying grief to elegies for such friends as Craig Harris, who worked tirelessly on the frontlines of the AIDS epidemic and asked, Who will care for our caretakers? This poignant question is once again urgent in the time of COVID-19. Other poems are spurred by crucial questions about Black lives, racism, police violence toward Black people, and discrimination and worse against LGBTQIA persons. Sneed grapples forthrightly with the complexities of history, heritage, identity, sexuality, relationships, and creativity. Paying homage to Octavia Butler, Audre Lorde, Toni Morrison, and Ntozake Shange, Sneed adds her own clarion and impactful voice to the struggle for truth, equality, and justice.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)




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