Harry Potter and the Deathly Hallows

هری پاتر و یادگاران مرگ
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 5 (1)

Harry Potter Series, Book 7

هری پاتر سری، کتاب ۷

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2015

Lexile Score

880

Reading Level

4-5

ATOS

6.9

Interest Level

6-12(MG+)

نویسنده

Stephen Fry

شابک

9781781102428
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
صدای ولد مورت گفت: هری پاتر رو بده به من، هیچ کس اسیب نمی بینه. هری پاتر را بده به من تا مدرسه را دست نخورده رها کنم. هری پاتر را بده به من ، پاداش هم میگیری. هری پاتر وقتی سوار موتور هاگ رید می‌شود و به اسمان می‌رود و پری وت درایو را برای اخرین بار ترک می‌کند می‌داند که لرد ولد مورت و مرگ خوارها از ان‌ها دور نیستند. افسون محافظی که تا حالا برای هری امن نگه داشته بود اکنون از بین رفته است اما نمی‌تواند همچنان مخفی بماند. لرد سیاه در دل هر چیزی که هری دوست داره نفوذ می‌کنه و برای متوقف کردن اون هری باید باقی‌مانده‌ی اسب‌ها رو پیدا و نابود کنه. نبرد نهایی باید شروع بشه هری باید بایسته و با دشمنش روبرو بشه . موسیقی تم ساخته شده توسط جیمز هانیکان که اکنون به کلاسیک دوران ما تبدیل شده است، کتاب‌های صوتی هری پاتر هرگز از ایجاد ارامش و سرگرمی برای شنوندگان همه سنین، شکست نمی‌خورد. داستان پسری که زنده ماند با پیام امید، تعلق و قدرت پایداری حقیقت و عشق ادامه پیدا کرده و نسل‌های جدید شنوندگان را شاد می‌کند.

نقد و بررسی

AudioFile Magazine
There's only one word that can describe Jim Dale's work on HARRY POTTER AND THE DEATHLY HALLOWS--"magical." Few audiobook narrators can stretch the medium like Dale as he interprets more than 200 characters, giving each a distinctive voice. Giants, wizards, elves, witches, centaurs, and muggles have singular voices that are instantly recognizable. It's hard to imagine anyone else doing justice to J.K. Rowling's brilliant finale to the story of the boy wizard as he conquers fear and turns into a man. Dale has raised the bar on audiobook interpretation so high it's hard to imagine any narrator vaulting over it. If anyone were going to make a case that listening to an audiobook is superior to reading it, this book would be the best evidence. Bravo. M.S. Winner of AudioFile Earphones Award (c) AudioFile 2007, Portland, Maine

Publisher's Weekly

Starred review from July 30, 2007
It would seem churlish to review the Harry Potter series finale with something less than overwhelming enthusiasm—after all, there’s no one like Rowling. Who else has sustained such an intricate, endlessly inventive plot over seven thick volumes and so constantly surprised her readers with twists, well-laid traps and Purloined Letter
–style tricks? Hallows
continues the tradition, both with sly feats of legerdemain and with several altogether new, unexpected elements. And yet the revelations don’t pack as much of a punch; the moments of genuine astonishment or grief that mark every other book in the series go missing here. Perhaps readers know too well the rules of Rowling’s magical universe, a universe she has constructed with extraordinary thoroughness and care.
As the ending of the previous book suggested, Hallows
revolves around Harry, Ron and Hermione’s quest for the rest of the Horcruxes into which Voldemort has poured his soul. Without the Hogwarts school year to supply structure, the plot can meander, and Harry himself is tempted to go on an altogether different search. For once some puckered seams trouble the surface of the storytelling—is Harry now using forbidden spells? How many Horcruxes are there?
It’s hard not to wish that the editors had done their jobs more actively. Hallows
doesn’t contain the extraneous scenes found in, say, Goblet of Fire,
but the momentum is uneven. Rowling is better at comedy than at fight scenes, and Hallows
has less humor and more combat than any of the preceding books. Surely her editors could have helped her build tension with more devices than the use of ellipses and dashes? And craft fight dialogue that sounds a bit less like it belongs in a comic book? True, none of these flaws is fatal to a fan’s enjoyment. But why not have make the bestselling children’s book in history the best it could possibly be?
One great virtue remains constant: Rowling’s skill at portraying characters. Harry and friends mature, not in straight lines but in realistically messy patterns. Over the course of the seven books, Harry develops from the scrawny misfit of no. 4, Privet Drive, to a teenager who can pull off acts of self-sacrifice and goodness without cheapening his charisma for readers—no mean feat for a writer. And when Rowling concludes her long story, she does so the old-fashioned way, without ambiguity. Harry Potter has finished growing up, and even the most ardent fans will know that it is time to say good-bye. Ages 9-12.




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