The Quick

Narrator Simon Slater has the perfect upper-class British accent for this Victorian vampire tale. Vampires have their own private club in London. When a young poet named James gets "turned" by an impetuous club member, James's friends and family seek a cure for him. Slater uses his rich voice to deftly portray every character--from the posh club members to the smug medical doctors who seek more knowledge of James's "disease." The story is told from from the alternating points of view of various characters, including the journal entries of one of the doctors, but listeners will never be lost, thanks to Slater. His American accent is rather twangy and tends to bleed back into British tones, but, overall, he expertly conveys this moody tale. G.D. © AudioFile 2014, Portland, Maine

Starred review from March 10, 2014
Though currently enjoying a resurgence in popularity, vampires as we know them are a Victorian invention: Dracula came out in 1897. Debut author Owen sets her seductive book in 1892, in a late-Victorian London with a serious vampire problem. And like her Victorian counterparts, Owen depicts a host of characters: there’s shy, provincial poet James Norbury and his intrepid sister Charlotte; vampire hunters Adeline Swift and Shadwell; a rich American in danger; and Augustus Mould, who researches vampire myth and fact on behalf of the vampires, and who’s as warm and friendly as his name suggests. The vampire world is divided: the elite men of the Aegolius club coexist, not happily, with a ragged band of underclass undead. The book’s pleasures include frequent viewpoint shifts that require readers to figure out how each character fits into the story, new riffs on vampire rituals and language, plus several love affairs, most of which are doomed. And there’s plenty of action—Mould’s research, the clubmen’s recruitment efforts, escalating battles between vampires and vampire hunters and among the vampires, and Charlotte’s efforts to save James. Though the book has an old-fashioned, leisurely pace, which might cause some reader impatience, Owen’s sentence-by-sentence prose is extraordinarily polished—a noteworthy feat for a 500-page debut—and she packs many surprises into her tale, making it a book for readers to lose themselves in.

September 29, 2014
Slater delivers an excellent rendering of Owen’s debut, a tale set in a vampire-populated Victorian England. The vampire world is divided between the elite men of the Aegolius Club and a ragged band of underclass undead. The numerous characters include shy, provincial poet James Norbury and his intrepid sister, Charlotte; vampire hunters Adeline Swift and Shadwell; a rich American in danger; and Augustus Mould, who researches vampire myth and fact on
behalf of the undead and is as warm and friendly as his name suggests. Slater provides a unique sound and pacing to depict the various characters, which is especially handy as the narrative jumps from one perspective to the next—often unexpectedly. His delivery eases these transitions, giving a clear and distinct feel to the different parts of the story. Slater’s performance both entertains
listeners and adds clarity to Owen’s complex world. A Random House hardcover.