The Laughing Monsters

July 7, 2014
Best known for writing about Vietnam (Tree of Smoke won the National Book Award) and America’s dispossessed (Jesus’ Son; Angels), Johnson sets his new literary spy thriller in Africa. Roland Nair, a Scandinavian with a U.S. passport, returns to the continent where he once made a fortune when his longtime friend Michael Adriko invites him to Freetown, Sierra Leone. The stated reason is to attend Michael’s wedding to his newest fiancée, Davidia, but because both Roland and Michael have spent their lives working for various government and military organizations, Roland has reason to suspect that Michael has a hidden agenda. Soon Roland, Michael, and Davidia are traveling deeper and deeper into Africa, their destination a mystical place called Newada Mountain in the Congo: Michael, a war orphan, remembers it from his chaotic, violent childhood. NATO, the U.N., Mossad, and Interpol get wrapped up in his dangerous plan. Much of the novel follows the shifting military and political loyalties in a post-9/11 world, and there is plenty of subterfuge and secrecy, but Johnson’s at his best when describing the pervasive, threatening strangeness of Roland’s life in Africa. Huge insects, dangerous bogs, something called “Baboon Whiskey,” a dining room that only plays Nat King Cole’s “Smile” over and over, and even, toward the end, some effective nods to Heart of Darkness all help to make the book’s setting its strongest character.

Scott Shepherd's husky voice and talent for accents complement this tautly constructed spy novel, set in western Africa. Disillusioned covert operative Roland Nair returns to Sierra Leone at the request of his friend, Michael Adriko, an African soldier of fortune. What begins as an invitation to a wedding quickly devolves into something nefarious that involves an array of international characters. Nair is an unreliable narrator, prone to tangents. Shepherd mostly succeeds at keeping listeners grounded by adjusting his inflection to distinguish live action from internal monologue. His real skill lies in capturing Nair's undertones of exasperation, often with an unwritten but well-timed pause or sigh. Using a growling baritone, Shepherd also accentuates Adriko's imposing presence. A.S. © AudioFile 2014, Portland, Maine