Fierce Invalids Home from Hot Climates

Tom Robbins is famous for detailed prose that describes a character's psyche as casually as his physical makeup. This audiobook continues the trend with the adventures of Switters, one of the most psychologically complex characters Robbins has ever created. Keith Szarabajka tackles the outrageous text, as well as its subtle nuances, and delivers a performance that is compelling and energetic. It would be easy to get bogged down in Robbins's narrative asides and way- out rants, but it all works out in the end and Szarabajka presents the tale with finesse. It's a pleasure to have another Tom Robbins audiobook and even better to have it narrated so well! R.A.P. (c) AudioFile 2000, Portland, Maine

May 1, 2000
Fans of Robbins (Jitterbug Perfume; Still Life with Woodpecker) will be delighted to find that his first book in almost six years contains many of the elements they have come to expect from this imaginative author. Sex, sedition and similes abound in a tale of loves both indictable and divine. Unlike Robbins's previous work, however, the novel's story line, though typically eclectic, feels contrived. Switters, the protagonist, is an errand boy for the CIA, a secret lover of Broadway show tunes and a pedophile. On assignment in Peru (he has been ordered to verify the philosophical commitment of a new CIA recruit), Switters encounters a Kandakandero medicine man who gives him mind-altering drugs and wisdom, but in exchange inflicts a curse: if Switters's feet ever touch the ground, he will be struck dead instantly. So Switters spends the rest of the novel in a wheelchair, although this in no way slows him down. He returns to Seattle, chases after his 16-year-old stepsister and numerous art students, then embarks on a mission to Syria to sell gas masks to Kurds; there, he beds a nun who even so remains a virgin. In true Robbins style, the writing throughout is lush and sexy, containing a great deal of witty social and political commentary. But this time around, his story fails to catch hold until too far into the text. And although Robbins's signature prose is in effect here--he mentions, for example, "a pink wink of panty"--he leaves too many loose ends dangling. Agent, Phoebe Larmore.