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Breakdown
V. I. Warshawski Series, Book 15
کتاب های مرتبط
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی
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Starred review from November 28, 2011
At the start of MWA Grand Master Paretsky’s riveting 15th novel featuring Chicago PI V.I. Warshawski (after 2010’s Body Work), Warshawski goes in search of several 12- and 13-year-old girls, members of her cousin Petra’s book club, who are out after curfew. Warshawski finds the girls in a cemetery, steps away from a recently deceased man, Miles Wuchnik, who she later learns was an unscrupulous PI. Media attention on two of the girls—the daughter of Sophy Durango, a liberal U.S. Senate candidate, and the granddaughter of Chaim Salanter, a wealthy Jewish businessman linked to Durango’s campaign—intensifies an already mudslinging political race, particularly when it’s revealed that the girls were trying to perform a “vampire” ritual from their favorite supernatural novel. Meanwhile, bigoted TV host Wade Lawlor attempts to derail Durango’s campaign and slander Salanter with unfounded accusations about Salanter’s treatment under the Nazis. Amid all the ugly politics, Warshawski once again proves a dogged champion for the truth at any cost. Agent: Dominick Abel.
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Starred review from December 1, 2011
V.I. Warshawski's 14th case entangles everyone in Chicago from a murdered private eye to a pair of Senate candidates and the world's 21st-richest man. Little do the seven tween girls invoking the spirit of that famous fictional vampire Carmilla, Queen of the Night, at a secret ceremony in Mount Moriah Cemetery know that only a few yards away lies the fresh corpse of one Miles Wuchnik, very recently added to the rolls of the dead. V.I., leaving a high-rolling party for right-wing media darling Wade Lawlor to respond to her cousin Petra's plea to find Kira Dudek, one of the tweens, wakes up the next morning to learn that although she succeeded in getting the girls away from the murder scene before the police arrived, Lawlor and all his dittoheads are implicating her in the murder of the colleague she never met. It's entirely plausible that V.I. might be taking money from billionaire Chaim Salanter to protect his granddaughter Arielle Zitter, another of the tweens. And since Salanter is a prominent contributor to the senatorial campaign of University of Illinois president Sophy Durango, it figures that Lawlor, a big booster of Sophy's opponent, creationist Helen Kendrick, would go after both Salanter and V.I. But the sad fact is that Salanter hasn't hired Warshawski (Body Work, 2010, etc.); in fact, he meets with her repeatedly only to warn her to stay off the case. Not that she's not distracted all on her own, since her old law school friend, bipolar attorney Leydon Ashford, has just been thrown from a height at Rockefeller Chapel and lies near death. Leydon's last cryptic message--"I saw him on the catafalque"--seems to connect the attack on her to Wuchnik's murder. Can V.I. put together the pieces in time to save the young witnesses from the killer? Plotted with all Paretsky's customary generosity, this standout entry harnesses her heroine's righteous anger to some richly deserving targets, all linked together in a truly amazing finale.
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
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January 1, 2012
Fans of V.I. Warshawski will breathe a sigh of relief as she returns in another novel filled with action, plot twists, and political maneuverings sure to set the brain and heart on edge. V.I. is called to round up teenage girls who are out in a cemetery past curfew. The girls are initiating a new member into their secret club celebrating a beloved author, and they believe they will become shape-shifters just like their favorite fictional character. Their ritual, however, is ruined when they stumble upon a very real murder victim, killed with a stake through the heart. As the investigation plays out, bodies pile up, and V.I. unravels the strings that lead from the girls and their powerful families through competing political campaigns, growing anti-immigrant sentiment, historical involvement through generations, and resurfacing stories from German-occupied Lithuania. VERDICT The 14th V.I. Warshawski title (after Body Work) is nothing less than riveting, which is what Paretsky fans expect. Lots of topical moments and references to the current sociopolitical atmosphere keep this book charged and moving. Highly recommended. [See Prepub Alert, 7/5/11.]--Julie Kane, Sweet Briar Coll. Lib., VA
Copyright 2012 Library Journal, LLC Used with permission.
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Starred review from December 1, 2011
Both Paretsky and her sharp-tongued justice-seeker, V. I. Warshawski, remain formidable in the masterfully suspenseful fifteenth novel in this superb and adored Chicago-set series. Smart and pugnacious PI V. I. continues to follow leads no matter how many cherished outfits get ruined by mud, blood, sweat, and puke, including the evening gown she wears to a glitzy gala for Wade Lawlor, the star rabble-rouser and slanderer on GEN, a shrill right-wing network. V. I. is called away by Petra, her young cousin, now a regular in the series, to look for the teenage girls Petra works with in a program that brings together daughters of penniless immigrants with daughters of privilege. V. I. finds them in a cemetery, performing a ritual inspired by their ardor for a series of vampire novels. She also finds a dead man with a metal rod driven through his heart. The ensuing morally reprehensible case, which V. I. compares to a Rubik's Cube, involves class divides, a state mental hospital, warped brother-sister relationships, a tricked-out Camaro, a Holocaust survivor's tale, a wrongful murder conviction, and the politics of hate. V. I. reigns as crime fiction's spiky, headstrong warrior woman of conscience, and Paretsky, classy champion of the powerless, has never been more imaginative, rueful, transfixing, and righteous. HIGH-DEMAND BACKSTORY: Named 2011 Grand Master by the Mystery Writers of America, best-selling crime writer Paretsky always draws readers en masse.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)
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