The Dark Lantern

This enjoyable, if imperfect, Victorian thriller takes place in a world in which most of the men and all the women except the dying matriarch upstairs are running some kind of scam. The new serving maid has forged her letter of recommendation. The mistress of the house has a completely false identity and is not a nice person, which her husband, a criminal identity expert, fails to notice. The young woman who shows up claiming to be the widow of the eldest son of the house is (surprise!) not what she seems either. Anne Flosnik does a lovely job with most of the voices but often fails to indicate shifts from one plotline to the next, which here is not a small problem. B.G. (c) AudioFile 2008, Portland, Maine

December 17, 2007
Brightwell’s debut, an uncanny thriller, brings late Victorian London to vivid life. Devon-born housemaid Jane Wilbred has snared her new post with the Bentley family with a letter of reference she forged, omitting any mention of the possibly pertinent fact that her late mother was a notorious murderer. That, however, is trifling compared to the shady games being played both upstairs and downstairs at 32 Cursitor Road while the family matriarch lingers on her deathbed, especially the struggle between mysterious beauty Mina Bentley, wife of younger son Robert, and the wan stranger who claims to be the widow of older brother Henry (drowned recently while sailing home after years in India). Meanwhile, Robert is focused on a battle closer to his heart: winning official recognition for anthropometry, the science of identifying criminals by body measurements. Far from being an arcane digression, Robert’s passion eventually figures into the intricate and surprising plot. The action will keep the reader as intrigued as a parlor maid eavesdropping outside her mistress’s boudoir.