Lovers at the Chameleon Club, Paris 1932

February 17, 2014
Prose’s 21st novel (after The Turning) captures the brilliance of Paris’s bohemian art scene in the ’20s and ’30s, as well as the dark days that followed. Louisianne “Lou” Villars, a talented athlete, travels to Paris as a teenager, hoping to someday compete in the Olympics, but instead she ends up checking coats at the Chameleon Club, famed around the city for its gender-defying patrons and cabaret. Lou’s real-life model is Violette Morris, a cross-dressing professional race car driver turned Nazi spy, immortalized in Brassaï’s iconic photograph, Lesbian Couple at le Monocle, 1932. The novel follows Lou as she falls in and out of love, becomes a professional race car driver, and dines with the Führer in Berlin. This story is told piecemeal through the frequently unreliable and self-serving recollections of Lou’s friends—among them the visionary and egotistical photographer Gabor Tsenyi; Lily de Rossignol, Gabor and Lou’s benefactress; and Nathalie Dunois, Lou’s biographer. The novel skillfully portrays the headiness of Parisian cafes, where artists and writers came together to talk and cadge free drinks, and the terror of the Nazi Occupation. Though the momentum lags at times, Prose deftly demonstrates with a wink the self-seeking nature of memory and the way we portray our past.

December 1, 2013

National Book Award finalist Prose meant to write a nonfiction book about Hungarian photographer George Brassai, but it turned into this novel. At its tumultuous heart is the Chameleon Club, a shadowy jazz venue that attracts notorious cross-dressing lesbian Lou Villars, Hungarian photographer Gabor Tsenyi, upper-crust art patron Baroness Lily de Rossignol, and sharp-tongued American novelist Lionel Maine. With a 50,000-copy first printing and an eight-city tour.

Copyright 2013 Library Journal, LLC Used with permission.

Starred review from January 15, 2014
A tour de force of character, point of view and especially atmosphere, Prose's latest takes place in Paris from the late 1920s till the end of World War II. The primary locus of action is the Chameleon Club, a cabaret where entertainment edges toward the kinky. Presiding most nights is Eva "Yvonne" Nagy, a Hungarian chanteuse and mistress of the revels. The name of the club is not strictly metaphorical, for Yvonne has a pet lizard, but the cabaret is also famous as a place where Le Tout-Paris can gather and cross-dress, and homosexual lovers can be entertained there with some degree of privacy. One of the most fascinating denizens of the club is Lou Villars, in her youth an astounding athlete and in her adulthood a dancer (with her lover Arlette) at the club and even later a race car driver and eventually a German spy in Paris during the Occupation. Villars and Arlette are the subjects of what becomes the era's iconic photograph, one that gives the novel its title. This image is taken by Hungarian photographer Gabor Tsenyi, eventual lover (and later husband) of sexual athlete Suzanne Dunois. Tsenyi is also a protege of Baroness Lily de Rossignol, former Hollywood actress, now married to the gay Baron de Rossignol, the fabulously wealthy owner of a French car manufacturing company. Within this multilayered web of characters, Prose manages to give almost every character a voice, ranging from Tsenyi's eager letters home to his parents, excerpts from a putative biography of Lou Villars (supposedly written by Suzanne's great-niece) entitled The Devil Drives: The Life of Lou Villars, Lily de Rossignol's memoirs and further reminiscences by Lionel Maine, Suzanne's lover before she was "stolen away" by the photographer. Brilliant and dazzling Prose.

COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

Starred review from February 1, 2014
Artistically and intellectually adventurous, Prose presents a house-of-mirrors historical novel built around a famous photograph by Brassai of two women at a table in a Paris nightclub. The one wearing a tuxedo is athlete, race-car driver, and Nazi collaborator Violette Morris. So intriguing and disturbing is her story, Prose considered writing a biography, but instead she forged an electrifying union of fact and fiction by creating a circle of witnesses and chroniclers of varying degrees of reliability. Gabor, a Hungarian photographer enthralled by Paris after dark, photographs two weary lovers: Arlette, an opportunistic performer, and Lou Villars, a tux-clad athlete. The women are regulars at the Chameleon Club, a safe haven for lesbians, gays, cross-dressers, and others who must change their stripes to survive. We glean the many facets and repercussions of Lou's dramatic and terrible life via Gabor's surprisingly explicit letters to his parents, an unpublished biography, works by an American writer in Paris, and the memoirs of two rivals for Gabor's love, a young teacher and a lonely baroness. In an intricately patterned, ever-morphing, lavishly well-informed plot spanning the French countryside and reaching to Berlin, Prose intensifies our depth perception of that time of epic aberration and mesmerizing evil as she portrays complex, besieged individuals struggling to become their true selves. A dark and glorious tour de force. HIGH-DEMAND BACKSTORY: Destined to be a breakout book, Prose's novel will be promoted with an eight-city author tour, a major media campaign, and library and book-club outreach.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)