Carte Blanche

July 18, 2011
The James Bond franchise is thriving, and this terrific new pastiche will amply reward Bond fans and possibly bring new readers into the fold. Deaver (Edge), an avowed fan of the Fleming canon, has set the novel in the post-9/11 present, and Bond, that icon of the 1960s, handles the transition perfectly. The book opens in Serbia with 007 trying to uncover the meaning of "Incident 20," a cryptic reference that suggests an impending terrorist plot. Deaver deftly sketches in Bond's background: a veteran of the Royal Naval Reserve who had served in Afghanistan, he was languishing in naval intelligence until recruited by a new, super-secret team whose mandate is to "protect the Realm⦠by any means necessary," hence the "carte blanche" of the title. Most of the action takes place in South Africa, and the plot is predictable in a purely Bond-ian way (credibly incredible), but also intricate and inventive, surprising and satisfyingâa testament to Deaver's skill as a storyteller. The plot and setting may be up to the minute, but Bonds aficionados will be comforted by the usual Bond tropes: his love of fast cars, fine drink, and gorgeous women (two of whom sport the traditionally clever and ridiculous names: Ophelia Maidenstone and Felicity Willing); his colleagues M, Moneypenny, and Q (who creates the world's most powerful iPhoneâdubbed the iQPhone); and an appropriately perverse villain, Severan Hydt, a self-made tycoon with a fetish for decay and death, complete with suitably evil henchman. Fleming purists may balk at the hint of a New Age sensitivity in Deaver's Bond, but they will recognize one of the world's most enduring fictional characters: competent, courageous, charming, and cool.

James Bond is in a race against time to break up a plot to kill thousands of people. Listeners follow Bond as his travels take him to Africa, where he infiltrates the headquarters of his latest adversary. Toby Stephens narrates this new James Bond story, in which Bond is bought into the 21st century. Stephens skillfully handles the fast-paced dialogue, keeping the plot moving even during the descriptions dotted throughout the book. Using subtle characterization, he voices a range of different accents--in particular, South African, American, and British. The iconic Bond, classic Deaver twists and turns, and Stephens's accomplished reading make this an exciting listen. K.J.P. (c) AudioFile 2011, Portland, Maine

October 15, 2011

From the opening strains of Bond's signature movie theme music to the last shaken-not-stirred martini, the reader is drawn into the nonstop-action world of 007. Thanks to best-selling author Deaver, a longtime enthusiast of Ian Fleming's creation, the British spy is reintroduced with a wonderful modern flare. Both newcomers to the subgenre and traditionalists will find much to enjoy with the updated electronics, political framework, cliff-hanging situations, and, as always, bad men to fight. Actor Toby Stephens, who appeared as the villain in the Bond movie Die Another Day, provides a wonderful reading. Stephens has the most proper British accent, which is essential. For thriller, suspense, and spy lovers. [The S. & S. hc was an Editor's Spring Pick, LJ 2/15/11, and a New York Times best seller.--Ed.]--J. Sara Paulk, Wythe-Grayson Regional Lib., Independence, VA

Copyright 2011 Library Journal, LLC Used with permission.