Bitterroot

May 21, 2001
A two-time Edgar Award winner, Burke touches on a variety of hot-button issues sure to thrill his fans in his first book since last year's Purple Cane Road. The author's popular protagonist, Texas attorney Billy Bob Holland, travels to big sky country for some fishing with Doc Voss, a friend who's relocated to Montana's Bitterroot Valley after his wife's death. Soaring descriptions of the majestic setting contrast sharply with the evil doings of the people who live there. Doc has made some powerful enemies in his campaign against a mining venture he believes would harm the economy and the pristine countryside. The stakes rise when his teenage daughter is raped in her bedroom. The rapists could be any of the white supremacists who live in the woods, randy bikers on the prowl, strange members of a conservative religious cult or even the Native Americans eking out a substandard living on the local reservation. Billy Bob and Doc also have to contend with celebrities wanting to experience "country life," organized crime figures, government agents and a sinister, recently paroled felon who blames Billy Bob for his
wife's death. To top it off, Billy Bob suffers from guilt over the accidental killing of his best friend as well as nightmarish memories of Vietnam. It's only a matter of time before the powder keg blows. Those who relish Burke's patented mix of supercharged violence and overheated passions are in for a treat. (June 18)Forecast:While not quite in the same league as
Purple Cane Road, this entry is likely to scale bestseller lists as well.

May 1, 2001
Violence touches all of the characters in Burke's third novel (after Cimarron Rose and Heartwood) featuring defense attorney and former Texas Ranger Billy Bob Holland. Like Dave Robicheaux, the hero of Burke's Louisiana novels, Holland is a man who spends a good deal of his time in the paths of violent people and violent events. This time he travels to Montana's Bitterroot Valley to help an old friend, Doc Voss, who is having trouble with mining companies and a local right-wing militia group. Holland must also contend with a psychotic ex-convict rodeo clown who blames him for past tragedies. Also making a few cameos is the ghost of Holland's dead partner, L.Q. Navarro, who doesn't so much haunt Holland this time as hang around to give comfort and cryptic advice. Burke has a wonderful sense of place; his settings always seep into and flavor the story. His characters are also vivid, angry, and touched hard by the world's cruelty, although sometimes it seems that the difference between the bad guys and the good guys is that the bad guys enjoy the mayhem and carnage they cause just a little more. Recommended for all public libraries. Patrick Wall, University Cty. P.L., MO

Copyright 2001 Library Journal, LLC Used with permission.

March 15, 2001
Burke's Billy Bob Holland series jumped off to a terrific start four years ago with " Cimarron Rose," in which the author injected new life into many of the familiar themes--especially a good man's attraction to violence--from his Dave Robicheaux novels. There was a new setting, West Texas, and a new hero who, though similar to Robicheaux, drew on a new kind of tradition (his ancestors' pioneer past). " Heartwood" followed in 1999, but there the similarities to the Robicheaux series dulled the emotional impact of the story. This third Billy Bob novel lands somewhere in the middle. Texas lawyer Holland is called to the Bitterroot Valley in Montana to help an old friend who is attempting to mount a one-man campaign against a mining company out to defile the ravishingly beautiful country. Holland's Texas past follows him to Montana, too, in the form of a sociopath with a grudge against the lawyer who sent his sister to prison. Longtime Burke readers will immediately spot plot similarities to two early Burke novels set in Montana: " Black Cherry Blues," an award-winning Robicheaux novel, and " The Lost Get-Back Boogie," in which the conflict was between small ranchers and the avaricious owners of a pulp mill. How much does this recycling get in the way? For devoted Burke readers, it's the difference between improvisation and repetition. Rather than being surprised when a familiar theme recurs in an improvised form--something Burke has done so well for years--we are dulled by the repetition of the same notes played in the same way one too many times. And yet, there is some marvelous writing here. Burke's patented lyricism has never been more beautiful--or seemed more fresh--than in his descriptions of the Montana landscape, and he does a wonderful job of contrasting that harmonious and peaceful setting with the jarring dissonance of failed human relations. This series is only an improvised lick or two away from returning to top form.(Reprinted with permission of Booklist, copyright 2001, American Library Association.)