The Axe Factor

The third Jimm Juree mystery finds former big-city reporter Jimm transported, along with her family, to rural southern Thailand, where she awaits a big story to save her dying career. Narrator Kim Mai Guest captures the eccentricities of each character and the unique dynamics of the family. The most notable elements of Guest's narration include the endearing tone she uses to portray the mother's dementia-driven statements; the biting sarcasm of Jimm's transgendered sister, who rattles off advice at lightning speed on everything from love to crime solving; and the eerily calm assurance of Jimm's new British boyfriend, who hides a sinister secret. Guest does the story's climax proud with one hair-raising scene after another as Jimm waits for the axe to fall. M.F.T. © AudioFile 2014, Portland, Maine

Starred review from February 10, 2014
Cotterill’s outstanding third Jimm Juree mystery (after 2012’s Grandad, There’s a Head on the Beach) opens with an unposted blog entry “found two weeks too late.” Signed with the initials C.C., the text is the first-person account of the slaughter and butchery of a woman with an axe. It concludes with plans for more bloodshed. C.C.’s real identity is apparently Conrad Coralbank, an English writer living in Thailand, whose career parallels that of Cotterrill. Juree, a freelance journalist now residing in a rural village on the south coast of Thailand, gets an assignment to profile Coralbank, with whom she’s soon smitten. Meanwhile, the outrageously funny Juree, who conducts an imaginary e-mail correspondence with Clint Eastwood, grows increasingly suspicious about why a local doctor disappeared. Despite the grimness of the violence and the corruption Juree eventually uncovers, Cotterrill keeps the tone light, aided by the conceit of starting each chapter with Thai signage, replete with malapropisms (e.g., “Ladies are Requested not to Have Children in the Bar”).