The Self-Portrait
A Cultural History
کتاب های مرتبط
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی
June 15, 2014
Art historian Hall examines the genre of self-portraiture from the Middle Ages to the present, contextualizing the tradition in relation to the cultural climate of its time. The author emphasizes that his examination differs from other histories of self-portraiture by stressing the importance of the Middle Ages to this genre, as well as the significance of mirrors to artists beginning in this period compared to in the Renaissance. Hall discusses portraiture chronologically and thematically. He addresses the artist as a cultural hero during the Renaissance; the mythologization of the artist's studio in the 17th century; the self-portrait expressing personal feeling, emotion, and biography in the 19th century; the themes of sex and genius in the early 20th century; and the marginalization of the face and emphasis on the body in the later part of that time. Well-known artists such as Titian, Frida Kahlo, and Caravaggio are considered, but Hall also brings in lesser-known figures to help illustrate specific points. VERDICT This clear, well-researched book is an exceptional choice for everyone from the general reader to the expert in art history.--Sandra Rothenberg, Framingham State Coll. Lib., MA
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